MY STORY: Wrapping Up the 1800s

Zulu War is a really interesting addition to this series. Another of the better war books, like Indian Mutiny.

Jabulani's a great character and the entire book is loaded with other good characters.

It's one of those that I enjoyed, but don't have much to say about.

I feel like I could buy myself a nice meal if I had a dollar for every time I read the words "phossy jaw" between this book, Sweep's Boy and Victorian Workhouse.

This one's another during that same time period, only from the perspective of a poorer girl, not a poor boy or rich girl.

She works in a match factory, although not with the phosphorus, and gets caught up in the strike. The biggest difference between this and a lot of the other books is that she's a bit older and has romantic dalliances with her somewhat dreary boyfriend and a dashing reporter.

I enjoyed this book, because Flora's an awesome character and her grandmother is even more awesome. Her older sister's a stupid bitch though. I don't care for that uppity girl.

Flora is interested in creating "moving pictures," which she's fascinated by and she agrees with her grandmother's progressive viewpoints on suffrage and the treatment of "colonial peoples." A lot of the other characters are disturbingly racist, even though it's appropriate for them to be written that way for time.

It's a good book because it doesn't delve too much into suffrage, unlike the next one.

I think this is one of my most disliked historical books. It continues Flora's story, sort of. At the beginning, her grandmother has just died and it's come to light that she took in a ward. The young girl is the daughter of a woman that made a brief but memorable appearance in Flora's book.

While I like the character of Flora a lot, I couldn't bring myself to get much farther than a few diary entries in this. This represents the violent side of the suffrage movement and frankly, that just bores me. I don't care about vandalism or force-feeding or abuse on the picket lines. I remember it took me a long time to suffer through it on my first read and I wasn't going to do it again.

I included this one in my final 1800s write up, because the entire rest of the series is WWI and WWII. I need to get a couple more books for the WWII section, but I opted to just take another break from this line and switch to the American Girl History Mysteries for awhile. War books. *groan*

MY STORY: 1800s Part 2

I took a break from my My Story reread awhile back and did American Diaries in its place. Now with those books finished, it's time to return to the UK's answer to Dear America.

I started Crystal Palace before the break, got a few entries in and was done. I reread the early entries, then made myself finish the book this time. I don't care for this one, because it's not very historical. There are some details about the building of the Crystal Palace in there, but most of it is drama amongst one household of a wealthy family and their staff. I could only take so much of the son being a complete douche.

Crimea is interesting as the war books go, because it goes into the training for a drummer/bugler and it doesn't actually spend too much time on the details of fighting. Everything is seen more at a distance and a good chunk is devoted to just how shitty conditions were for these poor guys. I liked the bit about the Charge of the Light Brigade. I mean, the poem's better, of course, but it was nice to see the historical context behind it in more detail.

I think this is one of the best boys' books. It's so nice to get out of Europe for a change! Lots of action in this one, lots of spying and lots of politics. It's a really interesting read and I recommend it. The Rani of Jhansi was badass and amazing.

I feel like Sweep's Boy is a deceptive title, because he works as a chimney sweep for like three chapters. Then he's a thief. Then he escapes from prison. Then he's with a band of kids living on their own on a rooftop. Then he's a Barnardo boy. It's a good exciting story, but another title would have been better for the story.

The diary of an upper class girl going with her mother to the local workhouse, because her mom's on the Board of Guardians. Edith's a bit naive and spoiled, but she's still very likeable. The other characters are good, too. I like Rosie a lot. Well-written and a nice change of pace from the very fast-paced, action-packed previous two.

AMERICAN DIARIES Part 5

If you like standing in line, this is the book for you! Possibly the least exciting book in the entire series. Nell's mom's kind of a judgy asshole, so that's not fun. Her grandmother's become forgetful and sees her dead husband everywhere, making Nell worry that she'll be sent back to Ireland and Nell will have to go with her. Her little sister is beyond old enough to stand, but gets toted around everywhere. There's a bit of interesting stuff at the beginning, but then they stand in line to get off the ship, they stand in line in the freezing cold waiting for the ferry, they stand on the ferry waiting to get off at Ellis Island, then they stand around Ellis Island for all the inspections. It's boring. It's also sad because they introduced a nice man only to have him fucking freeze to death. Nice going, Duey. Apparently, that was the only way she felt she could liven up her story of Standing in Fucking Lines Forever. 

Thankfully, Francesca's got a much better story. She's from a wealthy DC family. The mom does a lot of charity work. And this is the only book where the subject is suffrage that I've ever actually quite liked. The characters are interesting and the story moves along at a good pace. Not much standing around in this one! 

Janey's another white girl's point of view of Pearl Harbor, so ho hum there, but she's accompanied for most of the book by Akiko, who lives across the street from her and is a Japanese girl her age. As for Pearl Harbor stories though, this feels too short. I wanted more details, but that's the problem of trying to make these books last only the span of one day.

Zellie finishes off the series. She's a free black girl whose grandmother just died, leaving her on her own at age twelve. She walks to another town and finds work in a boardinghouse for mill girls, but the woman running it wants her to spy on them. There's some pretty good intrigue in this one and Zellie's a very likeable character. I could have read a longer book about her. 

So that finishes off American Diaries. I'm going to switch back to My Story, though I'm not sure just when yet. I might work on something else first.

AMERICAN DIARIES Part 4

Josie's the WWII homefront girl. There's a theft on her farm, her older brother's acting weird and hasn't enlisted, and Josie spends far too much time trying to come up with something that will make her look awesome so people can see that their family contributed to the war effort after all.

This one's got a mystery, but that really doesn't make it any more interesting. It's just sort of blah.

Poor Rosa is being forced to audition for part after part by her mother, who's obsessed with making her a child star. The problem is she's too old to be a child star. After enduring getting a perm, Rosa successfully makes it through an audition and gets an extra role, which will help support her and her mother for another few weeks.

Her mother's a shitty character who's too afraid to audition herself and becomes Stage Momzilla because of that. She also constantly calls Rosa "sweeties," which drives me absolutely insane because it's a fucking plural word.

Rosa comes out on top in the end and learns what her true dream really is. She's a good character, but putting up with her mother was a strain that kept me from finishing this book for weeks.

This is the third pro-South Civil War book. Didn't Kathleen Duey get the concept of there being two sides to the Civil War?

Maddie isn't for slavery, but she comes from a family that owns slaves.

However, her entire book is spent selfishly trying to keep her horse out of Yankee hands as opposed to helping her mother and the others hide food so they don't all starve.

She helps out a wounded Yankee in the end and learns to be a little more selfless, but it's a little too late for me. She still reads as a spoiled brat.

Only four more of these to go! I figured I'd make this the section of three and the final section the remaining four, because I haven't completely forgotten Josie's plot yet. Although I do plan on knocking these other four out over the next couple days.

AMERICAN GIRL: GotY 2018 LUCIANA VEGA

I was thrilled to see the new American Girl books on the shelves in Booksamillion tonight. I grabbed Luciana's pair right away, then flipped through the "Real Stories from My Time" pair. These are stories from the same time periods in history as the historical characters. I wondered how they were going to do these and they're basically like tiny history books, but every few pages there are some lines from Samantha or Addy or whoever matches the time period. I'm not sure I want to pay to read these, as they're far beneath my reading level and I'm not sure I like how they made the stories fit each girl. I didn't read enough of Addy's to catch her plot, but for Samantha, they've actually got Cornelia, Bridget and Nellie ON THE FRIGGIN' TITANIC. I mean, they survive, but still. That's a bit much for me. Although I will probably cave at some point and get them from the library. Or buy them if my library doesn't get them. I'm just a sucker for the historicals.

ANYWAY.

The book I left behind aside from those two was the new Like Sisters. I was already spending enough money, as I bought three Hellboy plush dolls. I will get it eventually though.

So Luciana Vega. Luciana lives in Virginia. It sounds like it's coastal Virginia, though I don't remember any city name mentioned. Luciana's parents are both from Chile and all of her extended family lives there. She's eleven and she wants to be an astronaut or more specifically, the first girl on Mars.

Luciana's first book is about her six days at Space Camp. This was the far weaker of the two books. I do like Luciana's character a lot. More than any other recent GotY. I honestly don't think I've liked a GotY this much since...maybe even all the way back to Jess? But in the first book, she suffers from bad plot points. I'll explain, so expect spoilers.

Luciana's roommates are two sisters (Ella and Meg, who's only 9), their cousin Charlotte and a German girl named Johanna. Ella's really into space stuff like Luciana, but she is possibly the most insufferable know-it-all mean girl I've seen in AG. She's just a nasty, unpleasant girl who isn't happy unless she's the leader and everyone is following her ideas. Little Meg seems too young to be at Space Camp. She's scared of everything and makes a huge mistake that leads to the girls' robot team being disqualified. Charlotte is nice and tries to keep Ella in line. She's into programming. Johanna is my fave after Luciana. She's really smart, randomly speaks German all the time, and likes engineering.

Their days are divided up into basic Space Camp stuff and then working on their robot rovers for the competition at the end of camp. Ella clashes with Luciana, who won the right to be leader in a contest, and Ella has a constant battle going on with James, who's the leader of the boys' team and basically a male Ella.

The first major problem is that I find it flat out impossible to believe that Luciana, who is obsessed with being an astronaut, did not read every single piece of her orientation packet a million times over before coming to camp. Ella keeps lording it over her that she knows more than Luci does, and Luci makes several mistakes that she wouldn't have if she'd read the material. But I think this is a very weak and out of character plotline. If you want to be an astronaut and you're going to Space Camp, why would you not read everything they send you? The author needed to find a way to make Luci screw up and put their entire team behind, but she should have figured out something that didn't go this out of character.

The second major problem is that this book has not one but THREE mean characters. Ella and James are insufferable know-it-all control freaks. Noah is just a dick.

The third major problem is the missing part incident. Luciana has Meg, who again is NINE, take the most important part of their robot and put it in their box. Then they can't find it and end up getting disqualified after they sneak to the lab after lights out to check the boys' box, because Luci thinks they stole it. Ella ends up accidentally breaking the boys' robot and that plus the sneaking out equals disqualification. But it turns out the part wasn't stolen. Meg stuck it in box 8 instead of 18. Why didn't they think to check the unused boxes or ask Meg to get it from the box she put it in? It's played off by Meg saying "You SAID it was stolen!" and she assumed they looked in the #8 box, but...she was right there. How did she not see that they didn't touch that box? I really disliked Meg. She never did anything useful and acts awfully young for nine. Definitely far too immature to be on this trip.

The fourth and final major problem is that Space Camp does not make for a good book. You can describe things until the sun goes down, but I don't understand programming, I don't understand what a bunch of parts look like, and I only have the vaguest idea of their other activities and that's mostly thanks to that Hallmark Channel movie about the special needs kids who go to Space Camp.

All of this makes it sound like I hated the book. I hated the plot that surrounded Luciana, but I loved Luciana. Her family wants to adopt a Chilean orphan baby and she spends a good bit of her time wondering how that's going. She's overly concerned with being a good big sister and that's the part of her that I like. She's also feisty, but she keeps it mostly on the inside and only lets it out under more extreme circumstances. She's ballsy and she is a leader albeit a flawed one. But she's eleven. She's learning. She's a good character stuck in a bad book. So is Johanna. She was awesome.

At the end of the first book, Luci learns that her family is adopting Baby Isadora, but she's very sick with a heart condition. They're speeding up the adoption to get her to the US so she can have treatment.

The second book has Luci as one of only six kids chosen to be in the two-week CETUS program, where they will train for several days before going on a mission to the underwater CETUS facility. I liked this one a lot better, because Luci stayed in character and the plot points were believable.

Ella returns from the first book and she's mostly a much better character. But when the daughter of some big space inventor guy arrives, she goes all starstruck and latches onto her, supporting whatever she does, despite Luci's misgivings.

Claire is said daughter and she's a bunch of lies and bragging. They have to take three main tests before three of the six are chosen to dive to CETUS, leaving the other three as mission control. She sabotages one of Ella's tests, though she ends up passing and being on the dive team. Then she endangers Luciana's life. Yep, she was actually that bad. For that, she's made mission control and she joins a boy nicknamed Buzz, who's an excellent swimmer but discovered he was terrified of scuba diving. Luci and Ella's fellow dive team member is a kid so smart he's already in college. He was my second favorite character after Luci this time. The other boy doesn't get much characterization.

Luci struggles with three main problems in this book.

The first is Claire. She doesn't like her, Ella does. Claire tried to sabotage Luci first during one of the scuba tests, but she failed to succeed. Then she sabotaged Ella's treading water retest and Luci accused her of it. That made everyone not like Luci. But when she left Luci at the bottom of a 25-foot pool when she was trapped in a storage closet, everyone saw what she really was. She even admitted to sabotaging Ella at the end of the book when she got minorly redeemed.

The second problem is her worry about her little sister. Isadora has an operation scheduled shortly after Luci will get back from camp, but it gets moved up and she's 30 feet underwater during it.

The third problem is her minor claustrophobia, which was made worse by being shut in a closet underwater. She has a panic attack after awhile on CETUS and it's actually Claire that calms her and helps her stay the night there, although she's quick to return to the surface in the morning.

This book worked a lot better than the first, because despite the life endangerment, the plots were actually believable. It wasn't as confusing either. I could visualize and understand what they were doing the entire time.

Oh, little Isadora makes it through her surgery just fine.

Luciana's third book also sounds quite interesting with Claire making a return appearance.

So in short, the first book isn't very good, but Luci's character is, and the second is quite good. Both of these have me excited for the doll, who I'm definitely planning on buying now.

SUPERFAIRIES

I was wandering around Target's book section tonight and a pink book with fairies on the cover jumped out at me. It was a bind-up of four short chapter books about the Superfairies.

The Superfairies are a diverse foursome of fairies whose job it is to protect the forest animals. There's an alarm the animals can sound that summons them, and they have a strawberry-shaped computer that tells them what the problem is. Then they fly off in their helicopter (yes, really, but it still manages to be cute) to save the day.

Each fairy also has a special power. Rose has healing kisses, Berry has super eyesight (and as such is the pilot), Silk can spin strong webs that she usually makes ladders out of, and Star creates light.

Each of the four books in the bind-up is about a different season. The spring book has them rescuing a baby bear. The summer one features a wild pony that ran away because she lost confidence in her dancing ability and the big Summer Fair is that day. She always wins the dance contest and basically the pressure got to her. The autumn book was my favorite because it had the gorgeous Autumn Fairy in it. She caused a huge storm that had the animals suffering so the Superfairies took them all to their cherry blossom tree to stay the night, while they dressed up and went off to have a chat with the Autumn Fairy about maybe taking it down a notch. The winter book was more like the spring one, just a simple rescue of an animal that had done something reckless.

The art in the book is absolutely precious. I'm a sucker for fairies and there are some elements of Disney Fairies and Pixie Hollow here, as well as some Flower Fairies. Even though the stories are quite simple (5-8 years, grades 1-3), I enjoyed them.

The bind-up is a great deal on Amazon at $6.32 right now. There are also two more books that came out in August 2016 and two more coming out on January 1st, but I'm waiting for the second bind-up that will have all four of those. It comes out on March 1st.

Definitely a cute series if you like fairies!

RAMONA Reread

It has been far too long since my last Ramona Quimby series reread.

I don't have reviews for these books. They are wonderful classics that everyone should read.

But I thought I'd do a little write-up, discussing my favorite chapter from each book.

BEEZUS & RAMONA: The first book in the series is from Beezus' point of view. Beezus has always been too sensible for me. She's uncomfortable with things that are even a little outside the box, even things as simple as anthropomorphized vehicles. While I'm not as wild as Ramona, I'm a definite blend of the two. Therefore, my obvious choice for favorite chapter in this book is "Beezus and Her Imagination." Beezus attends a regular Friday afternoon art class, while Ramona is supposed to play in the sand pile in the park outside. Well, we've got Beezus bemoaning her lack of imagination while Ramona barges in on the class and causes chaos. After she's sent back out to the sand pile, Beezus ends up creating an awesome painting, proving that she does have plenty of imagination.

RAMONA THE PEST: Ramona takes over as the PoV character just in time for her first weeks in kindergarten. Each of the eight chapters centers around events that take place at school. We've got Ramona's first day, her first show & tell experience, in-class work drawing and learning letters, Ramona's first experience with a substitute teacher, rainy day adventures, a Halloween parade, a loose tooth, misadventures in hair-pulling, and Ramona's brief stint as a kindergarten dropout. My favorite chapter is "Ramona's Engagement Ring." Upset about having to wear Howie's hand-me-down brown boots, which are "for boys," Ramona distracts everyone by winding a worm around her finger, then running around saying it's her engagement ring. Then during a trip to the shoe store for new regular shoes, she ends up with her precious red boots, only to have too much fun wearing them a couple days later, getting stuck ankle deep in mud and having to be rescued by Henry Huggins. The original illustrations for this book were excellent and really brought it to life.

Unfortunately, I can't find the worm ring picture, which has been the one stuck in my head since childhood, along with the bedraggled stuffed bunny Ramona loans Howie for show & tell. Couldn't find that one either! But I did find Ramona and Howie fighting over the ribbon their teacher put on said stuffed bunny. Classic.

Ramona the Pest was my first experience with Ramona. I didn't read Beezus and Ramona until later on, so this one's definitely one of my faves from the entire series for that reason.

RAMONA THE BRAVE: I think this one was one of the last I read of the series back in childhood. It somehow escaped me for quite awhile. It's like Ramona the Pest and the chapters center on school with the biggest event outside school being Mrs. Quimby going back to work and the family deciding to add a room onto their home, so each of the girls can have their own. Ramona faces problems with a copycat, a teacher that doesn't seem to like her, Howie's annoying need for accuracy, and a fear of the dark. I've never cared for the copycat incident, because I feel Ramona is right. Not in destroying Susan's owl, but in the fact that she was copied and Susan shouldn't have been praised for it. If Ramona had to apologize, so should she. Same with Howie and his not supporting Ramona when she said there was a hole "chopped" in their house. Yes, her terminology was wrong, but he let her look bad in front of everyone when he could have simply clarified her story. Ramona doesn't get an apology or even a resolution there, because she never gets to explain what she meant. The incident is forgotten by the class, but I still dislike unresolved things and I didn't like them when I was a kid either, so this has always been my least favorite of the entire series. The best chapter is the last one, "Mr. Quimby's Spunky Gal," where Ramona tries walking to school one street over and has to face off with a large German shepherd. Not easy for a first grader! She loses her shoe and her efforts in making a paper slipper have always amused me. I like the character of Mr. Cardoza, too. He's a breath of fresh air after nice but inexperienced Miss Binney and dull Mrs. Griggs.

RAMONA & HER FATHER: This is a welcome change from the school-centric books. This one is decidedly family-centered. Mr. Quimby loses his job thanks to a larger company buying his small one out and he spends most of the book looking for work. Ramona practices being in commercials until she has the burr incident, then crusades with Beezus to stop their father from smoking. Honestly, nothing too major happens. The book has a nice resolution chapter with Mr. Quimby finding work and Ramona playing a sheep in the church Christmas show. Not one chapter really stands out though. I like specific incidents, like the girls dividing the gummy bears and eavesdropping, the pumpkin carving, and Ramona and her father drawing the "longest picture in the world." If I had to choose, I'd go with the final chapter, "Ramona and the Three Wise Persons," mostly due to the resolution and the amusement of the wisepersons.

RAMONA & HER MOTHER: Like the previous book, this one is also more family-centric. Ramona gets into some of her best messes like having to pick up an entire box of Kleenex pulled out sheet by sheet by spoiled Willa Jean, squeezing out an entire tube of toothpaste, and falling into water loaded with bluing. Similar to Ramona and Her Father, there isn't really one standout chapter here. It's more about the incidents. I always liked The Great Hair Argument, because for once, Beezus was the one being difficult.

RAMONA QUIMBY, AGE 8: Oh, man, this is tied with Ramona Forever as my fave of the entire series. It's awesome. Every single chapter is pure gold. Ramona starts third grade, meets Danny (AKA Yard Ape) who becomes her crush, has a blunder with a hard-boiled egg fad, thinks her teacher has called her a nuisance, cooks dinner with Beezus, gets sick and really feels like a nuisance after she throws up in school, does a TV commercial-inspired book report, and finally, has a family dinner at her beloved Whopperburger. If I was absolutely forced to choose a favorite chapter, it's gotta be "Extra Good Sunday," where she and Beezus are forced to make dinner after they complained about being served tongue the night before. I love their rather inventive recipes and cooking methods, and it's nice to see them work together. But I've also always loved the chapters where she's recovering from her illness, because they bring back the comforting, safe feeling of being taken care of when I was sick. The coolness of the sheets and the pillows when you first get into bed, drinking 7-Up or Sprite, passing out in sheer sickness oblivion, watching crappy daytime TV from a makeshift bed on the couch. All things I definitely experienced. And the Whopperburger chapter is great, too, because it's again the comfort of a rainy day meal with your family and Cleary does excellent food descriptions. I think of "crispy on the outside, mealy on the inside" whenever I eat fries. You know, if I had to pick one single favorite of the entire series, I think this is it. Ramona Forever was the only one I owned in childhood and the one I read the most often, but I think chapter for chapter, this one is the best.

RAMONA FOREVER: Yeah, confirming what I thought above. Ramona Quimby, Age 8 is the best of the series from cover to cover. I do still love this one a lot and I've read it more than any of the others, because I never had to take it out from the library. All the chapters are good, just not quite Age 8-level good. My favorite is "The Chain of Command" where Ramona, Beezus, Howie and Willa Jean head off to the mall to buy wedding stuff with Uncle Hobart. I've always liked Uncle Hobart a lot. The wedding chapter is also great and I love the parts in "It" with all the baby names. Picky-Picky's death is always rather poignant, too, because I think it captures a young child dealing with the death of a pet in an honest manner. And I like that they finally deal with something that annoys me throughout the series: the fact that Howie's grandmother is paid to watch Ramona, yet constantly makes her responsible for Willa Jean. She's kind of an asshole to poor Ramona until the end of the wedding. I will always prefer the original artist for these books, too, even though the one that did the more recent editions has had some great pics. They fail at details sometimes though and I have to wonder "Did they read the books?" Because Ramona and Beezus have WHITE slippers that they've outgrown (and eventually get tied to Aunt Bea and Uncle Hobart's bumper) yet the artist illustrates them as black. Miss Whaley has short hair in Age 8, yet her picture shows a woman with a ponytail. Not a long one, but hair able to be put into any ponytail is not short. The art has a certain charm, but not like either of the earlier artists.

RAMONA'S WORLD: This was the book Ramona fans never thought was coming. At least I didn't. Ramona Forever came out in 1984 and Ramona's World did not follow until 15 years later. It is the last Ramona book and the last book by Beverly Cleary, who said that writers need to know when to stop. I think Ramona, having just turned ten at the end of the book, stops at the perfect age. Beezus already represented some of the teen issues, so we didn't need to follow Ramona any further. She's perfect the way she is. Ramona's World places our heroine in fourth grade, where she meets a new best friend, her first ever female best friend. Daisy Kidd is pretty awesome. My favorite chapter is "At Daisy's House," because it's interesting to see how another family lives in Ramona's World. (Aside from the Kemps, who you really don't see because Howie's parents are rarely present.) Ramona struggles with spelling in this book and I feel that part of it goes on a little too long. Ramona's not stupid and I think she'd grasp spelling faster than this. I actually think she spelled better in the earlier books and this was a bit of a retcon. Part of her problem is her stubbornness, but I think she would have given up being stubborn long before that part of the story finally finishes. Perhaps it's just the age difference. Ramona's World is the only Ramona book I read solely as an adult and not a kid. (I was 6 when Ramona Forever came out, though I didn't read it until later. For Ramona's World, I was 21. Pretty big difference.) I love Daisy's interactions with Ramona. And I will forever wonder what Yard Ape wrote to her in that note that got confiscated. Susan is one of the other oddities in this book, because she's also been retconned. Now Ramona's mother and Susan's are friends and the two girls have been forced into social situations together a lot. Um, no, they haven't. That was never mentioned until now. Susan's also gone from having reddish-brown hair (mentioned in Ramona the Pest) to blonde. Still curly though! I didn't find this storyline necessary at all, because it involved a huge retcon just to make what point? That Susan's mother is kind of shitty and that's why Susan's the way she is? So what? I never cared about Susan. I cared more about poor little Davy, who clearly has a learning disability and needs extra help that he never seems to get (except semi-help from Ramona). I did enjoy this book, but it's not quite a good as the others with the exception of Daisy and a few moments with Yard Ape.

Ah, that was fun. I do love me some Ramona.

HEROES IN TRAINING Series

I finished a reread of the Heroes in Training series yesterday, then went on to finally read for the first time books 11-14. I'd had 11 since December 2015 and it just sat there unread. I'm not sure why I didn't pick it up. Then I finally got 12 when it was really on sale this past March. Almost a year after it was released in April 2016! I picked it up right before 13 came out in April 2017. Yes, there was actually a year-long lag with the series. Readers thought it had gotten cancelled and ended early, but a new writer came in for 13 and now 14, which just released this past Tuesday.

Heroes in Training is for a younger set than Goddess Girls. It's grades 1-4/ages 6-9 rather than grades 3-7/ages 8-12. So the books are a lot shorter and less detailed.

Remember how the first rule of Goddess Girls is "Do not expect accurate Greek mythology?" Yeah, that goes tenfold for this. Because all 14 Olympians are ten years old at the same time. Zeus, Poseidon, Hera, Hestia, Hades and Demeter all know they're children of Cronus and Rhea, but there's never any mention of parents for the others. Except Aphrodite, who's born from the bubbles. Apollo and Artemis are still twins, but no parents mentioned.

Unlike Goddess Girls, there are very few retellings of actual myths in these pages. They did tackle Eris's golden apple though. Spoiler: Helen's a puppy they're fighting over.

The main plot is Zeus trekking around with his Olympian crew, trying to locate all the Olympians and each one's magic object or weapon while battling the army of Cronus (known as the Cronies), various Titans and monsters called Creatures of Chaos.

It's a pretty fun series with a lot of lighthearted bantering, fighting bad guys, etc. Definitely aimed more at the boys than the girls, because you never see a female Olympian get a title on these books. A Titan will get the title over a female, which is kind of sucky, because they play huge roles, especially Hera and later on, Athena.

The only thing that really drove me nuts happened in the 13th book with the new writer. She calls Bellerophon "Bellephoron" so she can shorten his name to Ron. I'm sorry, but if kids can be reading Poseidon since book 2 and then Hephaestus and Dionysus, they can read Bellerophon. I read his name just fine when I was five.

There appear to be two more books in the series, which should be the final two, as the plot is drawing to a close. All the Olympians have been gathered, all the magical objects have been found or created (there was a nice nod to Hermes making Apollo's lyre), so all that's left is to have the final battle!

I recommend the series for those that really dig Greek myth and don't get too freaked out over a completely inaccurate version of events. Goddess Girls is the far better series, but this one's fun and has really great art to boot.

GODDESS GIRLS 22

This one's been a long time coming! I was super excited when Nyx the Mysterious came out. After the introduction of Eris, I was itching for a goth girl goddess and Nyx always seemed like the perfect fit. Lo and behold, here she was! The book actually came out in early April, but it's taken me this long to finish it.

I can't say exactly why, but I get distracted with other series so easily and despite my excitement for the book, I got about 1/3 through and then it got buried in my book pile.

But with today's release of Medea the Enchantress, I knew Nyx had to be taken along with me on vacation and finally done some justice.

I finished the book last night and loved it. Nyx is a loner, a young girl who has a very important job that no one else can do and she has to do it every single day. She flips her cape open and brings the night across the sky while riding in her starry chariot. She wants friends, but can't really find the time or the courage to go introduce herself to more people.

So when she gets an invite from Athena and Artemis to visit Mount Olympus Academy, she jumps on the opportunity. While she's very nervous, because she's quite socially awkward and aware of it, she wants to talk up what she does and make others realize the night is very important and not something to be afraid of. Unfortunately, unbeknownst to her, the three Oneiroi (dream makers) have tagged along with her and are causing the others to have terrible nightmares.

Nyx wears black clothing, eyeliner and nail polish and purple lip gloss and eyeshadow. Her appearance is decidedly different from the other students at MOA. Some of them are taken aback by her, but others don't bat an eye. She makes one brief foray into experimenting with her look, encouraged by Aphrodite, but even that isn't too drastic (midnight blue eyeshadow, red lips and nails). But she doesn't like what she sees when she looks in the mirror. While beautiful, it isn't her. She decides to keep the look to fit in better, but that decision is almost immediately changed once she suffers a traumatic loss. After pulling herself together, she washes off the new makeup and puts her old back on. She realizes that she should be herself, no matter if others have opinions on that or not.

Nyx has two parakeets (how did she get them?) that she brings to MOA and one of them escapes. That's the loss that freaks her out. The other bird had been borrowed by Athena to help her new baby sister Hebe sleep better (and thus Zeus and Hera, too) and that has disastrous results that Zeus unfairly blames her for.

Nyx leaves MOA at his request and runs into Echidna, who traps her and her remaining bird. Her horse, Erebus, escapes. This part was a bit frustrating, because I feel like the goddess of night should have more powers and be able to escape a simple monster, but she's a young girl, so we'll just assume her powers aren't fully developed. Her being trapped is necessary to prove to the mortals and immortals alike how important night is. No one is getting rest now! It's day all the time and everything is confused.

Nyx finally escapes with the help of her birds (the lost one finds her) and her horse, who went to fetch Artemis and her dogs. She captures the Oneiroi and Hades takes them back to the Underworld. Zeus apologizes in his own way and all is well again.

Weeks later in the Underworld, Nyx is happy with her new friendships. She speaks with Eos, although their jobs require that to be brief, and writes with the MOA students. Her birds have had babies, one of which she gifted to Hebe, who's sleeping much better now.

I quite like Nyx as a character. She won't change who she is looks-wise, because she knows that's what she likes, but she was able to grow as a person and learn how to make and keep friends.

I'll be tackling Medea's book once I get home. I'm still here on vacation and the book is being held with my mail.

MOTHER-DAUGHTER BOOK CLUB & BETSY-TACY

The fourth Mother-Daughter Book Club book has Emma moving to Bath, England for a year. A visiting professor and his family take over her house, leading to romantic entanglements for Cassidy (in a mostly hate at first relationship with Tristan, the older brother) and Megan (with Simon, the nicer younger brother).

Emma has to endure yet another Mean Girl, Tristan and Simon's "distant cousin" Annabelle, who calls herself Tinkerbell. Emma dubs her Stinkerbelle. After one particularly bad incident, the MDBC daughters decide to band together and earn money to fly her home for spring break, so they start a baking business, dubbed Pies & Prejudice. (You can guess what book the club is reading this time.)

In one of the series' most poignant moments, Mrs. Bergstrom passes away suddenly and leaves quite a bit of money to cover several things. She funds Cassidy's hockey club for younger girls, provides for her dog's care, and gives money to Megan's grandmother for her to start her own business. Most importantly though, she gives funds to the book club, allowing them all to join the Hawthornes in England in an amusing, but also somewhat dull for me trip. I've never read Jane Austen. I never will. So going to all these themed places was dull for me.

It's a decent book, but I really didn't think we needed a THIRD Mean Girl. Two was enough.

The fifth book adds point of view chapters for Becca for the first time. This book is mostly fueled by the failed Secret Santa exchange between the girls, muddled up by Jess's younger brothers, who don't get nearly enough punishment for this.

Becca's father has lost his job. Cassidy may or may not like Zach Norton. Megan gets dumped via email.

The families visit different places for Christmas. Megan and Becca's families go on a cruise. Emma goes with Jess's family to New Hampshire. Cassidy's off to California.

There's a lot of typical drama, but thankfully no real Mean Girl incidents.

The highlight of this book for me is that they're reading the Betsy-Tacy series, which I adore. I loved all the references and it inspired me to reread the series myself.

The Betsy-Tacy series was written by Maud Hart Lovelace and tells about Betsy Ray and her friends, growing up in Deep Valley, Minnesota between 1897 and 1917. Betsy is based on Lovelace herself and most of the characters have real life counterparts and many incidents actually happened in the real town of Mankato.

The first four books are when the girls were younger. Betsy-Tacy has Betsy and Tacy at 5 when they meet, and Tib joins them at the end. The fourth book, which is the best of the initial four, has them at 12.

I always read Winona's Pony Cart in between books 3 and 4, because that's about the right age placement to insert it. It stars Winona Root, a character you see more often in Betsy and Tacy Go Downtown, the fourth book.

The adventures in these books are mostly younger girls' games and fancies, although Downtown broadens the horizons. But it's important to read them, as Emma points out in MDBC, because you can't ignore "half the body of work." Heh. The first four books, while a little more childish, are important to establish the background of the girls you watch go through high school and beyond in the rest of the series.

If you haven't read these, read them. They're up there with Anne of Green Gables for me and edge out the Little House series even on my list of favorites in that genre.

THE MOTHER-DAUGHTER BOOK CLUB Revisited

I have started to read this damn series THREE times.

I think the first was one of the first couple years after we moved here and I made it through the first three books.

The second time, I did the same thing: read the first three books. Then I wrote this:
http://redblackandwhitebookreviews.blogspot.com/2015/12/heather-vogel-frederick-mother-daughter.html

I started the fourth book then, but I can't remember when I got around to finishing it, although I definitely did. I just never wrote about it. I think I got a couple chapters into the fifth and then stopped again.

I can't explain why this is. I love this series. I apparently just get derailed really easily.

Well, this time, I'm finishing them! I have the last one arriving from Amazon today. I pulled 1-4 out of my bin in the storage closet and whipped through 1-3 over the past day and a half. I'm a few pages into #4, but I decided to stop and write this post.

I'm not going to do what I already wrote, but I thought it would be fun to answer some of the questions in the backs of the books and add to what I've already written.

To summarize the series quickly: It's about four very different girls whose four very different mothers form a book club for all of them to take part in. The first book's antagonist and her shrewish mother are added to the club in the second book, while the third introduces yet another mean girl character that gets redeemed by the end.

Book 1:

Which character do you identify with most and why?

This is a bit difficult to answer, because each girl is very defined by her likes. Emma is the bookworm writer. Jess is the brainy animal lover. Megan is the fashion designer. Cassidy is the tomboy athlete. Being a bookworm writer, I identify with Emma a lot, but we don't have the same personality. I've got Cassidy's feisty side, while Emma's a bit of a doormat. I see a bit of Jess in me, too, because I was shy when I was younger but if you picked on my friends or an animal or a younger kid, I could go off. And I identify with Megan as well, because she followed her dreams instead of what her parents wanted her to do. Luckily for her, she's already making money at it!

And actually, that's the only question worth typing. The others are about Little Women, which was the book they read, or "Why do you think Jess is shy?" That's not interesting.

Book 2:

This one's got pretty useless questions, too. Sigh! I thought this was going to be a good plan, but no.

However, there is one: Were the moms right in inviting Becca and her mother to join the book club, even though Becca had been intentionally mean to some of the members in the past?

This is something that, while I saw it coming, it still kinda blew my mind. Becca is a proven bully. All the mothers know it. Her mother is basically her adult equivalent. Yet they invite both of them to join the club, which I think is what Mrs. Chadwick (Becca's mom) wanted all along, but instead of asking nicely, she bullied the mothers in the first book. So they knowingly invite TWO bullies into their club. And it is not smooth sailing whatsoever. The question makes it sound like Becca stops her bullying, but she doesn't. She makes it worse by pulling a hurtful prank on Megan and then making her believe it was Emma and the others. And the resolution of this is way too easy on her. Megan let her off the hook so easily, it was equally mind-blowing as the Chadwicks being allowed to join in the first place. So no, I don't think they were right in letting them in, because they did nothing to control the bullying that still took place once both Chadwicks joined. It took a giant blow-up to fix the situation and that was entirely the girls' work.

Book 3:

Okay, this one's questions are useless, too. But I'm just going to continue on with what I was just talking about.

Book 3 is the by far the weakest of the opening trio of books.

Why? Well, for three reasons, but the first involves the question from the second book.

The Becca situation seems mostly resolved, except in some small cases. She does pull the placecard switcheroo on Jess, but it's been proven that Becca's first interest is boys and she will throw anyone, even her best friends, under the bus if there's a chance she can score some boy time.

So now that Becca has gone from enemy to frenemy, what does the author do?

Adds a new mean girl.

Savannah Sinclair, Jess's roommate at boarding school, is just as hurtful as Becca. While Becca's worst tricks were publicly humiliating (reading Emma's poem out loud and putting Megan's mom in the school paper), Savannah went for physical damage. She smears taffy on the girls' pillows during a sleepover at Jess's dorm. Thankfully, it's Cassidy who gets stuck, the one character who doesn't care about her hair, and she warns the others before they get caught, too, but that's a severely fucked up prank. I loved the blue cheese retaliation, but I do think the punishment on the book club girls was a bit severe and Savannah got off too easily considering she could have physically damaged five girls.

Yeah, Savannah's a bitch. So what does Jess's mom do when she finds out Savannah's going to be alone at the school for a weekend? She invites her to the farm.

So once again, we've got these parents who purposefully put bullies around their children. It seems really stupid. I don't think the author was ever bullied because no one who went through actual bullying would think this was a reasonable solution not just once but twice.

Because of course, Savannah turns out to be a misunderstood, lonely girl who redeems herself by the end.

Two redeemed bullies. Please stop, Vogel-Frederick. Please. I actually like the character of Savannah. She has more depth than Becca. But not all bullies can be redeemed and it's more than a little unrealistic to have this keep happening.

The second reason I think this book is the weakest is because of Darcy. We don't see too much of Emma's older brother, but what we have seen is a nice guy. So when he becomes obsessed with mocking Emma about her boyfriend Stewart, it feels out of character. The situation escalates into him coming into their driveway and shining the headlights on the shy pair as they're about to have their first kiss. This was needlessly cruel and is completely blown off. Emma stomps into the house and tells her father Darcy's a moron and that is it. He's not bitched at by her. Nothing. I hate unresolved things like this, especially when they stem from a character going OOC.

The third weak spot is the puppy plot. Hiding a pet never, ever works and the girls should have known Emma's dad would say no. You can't turn most dog haters into dog lovers, sadly. They've got their whatever the fuck lame reasons for disliking dogs and they're stubborn about them. This is the one thing I heavily dislike about Emma's dad, who is otherwise awesome. But yeah, the puppy plot was lame and felt like something out of one of the weaker BSC books.

Add to that Cassidy's constant grumping about her mom's pregnancy, which of course resolves itself as soon as she sees the baby; a pen pal plot that adds a handful of weak, underdeveloped characters; and a trip to visit said pen pals, which culminates in some of the group getting lost after they just got lost at the end of the second book, and it makes for a weak book. I still enjoyed all the characters and Megan's grandmother Gigi is a particularly fine addition to the cast, but it was weak. I need a thesaurus because I've said weak so much.

So now I've got Book 4 to reread and 5, 6 and 7 to tackle for the first time. I'm going to try to get these read and reviewed before vacation on the 2nd. We'll see how that goes!

AMERICAN DIARIES Part 3

Celou's book is one of those where I can't find a great picture. She's way prettier in her art than this makes her look.

Celou is half French trapper and half Shoshone. Her father has journeyed away on some trapping thingy while her mother stays with Celou, the eldest, and her brothers who are 10 and an infant.

When some Crow come to cause trouble, it's up to Celou to save the day, which she does by using her brains. Celou's pretty damn awesome and this is a great book. Kaya would look up to Celou and her quick thinking and bravery.

Summer is possibly my favorite of these 19 girls. She's an indentured servant who's being wrongly accused of theft by the younger daughter of the house who used to be her close friend. Well, Summer's not having it and she spends the entire book trying to solve the mystery despite a lot of problems. She comes out well in the end, having proven what happened, her innocence and how the younger daughter set her up to take the blame for her own stupidity. She also comes away from the day determined to be successful when she finally finished her indenture and even save up money to buy the freedom of some of the household's slaves. She's awesome.

Agnes has the most unfortunate cover design. It says right in the beginning of the book that her hair is short and she does pincurls. Well, her hair on the cover is definitely not that. So it irritates me a lot.

Anyway, poor Agnes has a hell of a rough day. Her father steps on a nail and her mother has to take him to get it xrayed, so they're going to be gone until evening the next day.

Well, they run a dairy farm. Despite her mom telling her to dump the day's milk, Agnes figures out a way to milk all the cows, chill the milk, bottle it, crate it, get it all into the horse-drawn wagon, and deliver it with only herself and her two younger siblings doing the work.

Then her dad comes home while they're about to go on the morning run and he goes off about what they did wrong, not a word of thanks on them not losing the day's earnings. Agnes thankfully blows up at her father, blames him for her older brother running off because he never felt appreciated and essentially, with the help of her mom, forces him to thank all the kids for their hard work. He gets over it a bit by the end, but he's still a douche.

Amelina has the last of the first style of cover and she's a bit of a mystery, because I'm not sure this cover actually exists. On the copy I have, her art is different and the town is different.

Even the year is different. This one to the right says 1870, when the actual book is 1863 during the war.

See?

That's the cover I have down below, so something tells me Amelina's story got worked over, then they changed the cover to the new style with the new town and year. And bonnet style.

Amelina lives in a Cajun community and her life there is a bit interesting, although they don't go much into it. She's an orphan who lives with her widower uncle, who's gone a lot of the time, so even though she's young, she runs a household by herself and basically lives by herself.

Her adventure is coming across a wounded Union soldier and helping him survive, even defying her asshole uncle to do so. I was glad when they finally touched on the subject of slavery. The Cajuns there are against it. We already had a pro-South Civil War book and we really didn't need another. Although honestly, we've got another one coming up. Not one Northern girl during the Civil War but THREE Southern ones. At least this one's got her head on right. (And not one Asian girl, but all these stupid Civil War books. Ugh. So annoying.)

AMERICAN DIARIES Part 2

Oh, no, it's a trail book!

Actually, Willow's book is pretty good, mostly because I think the shortness of these books works in its favor this time. There's enough trail info, but the misery doesn't go on for pages and pages and pages.

Willow's father died during a river crossing, so most of the book is about trail life and her river fear. Her mother remarried and the stepfather is a little too strict for my liking. He's okay by the end, of course. Willow's younger sister got her foot crushed by the wagon and Willow's got a dog that needs constant minding. The only real fault with this one is that you're left wondering if they ever made it.

Ellen's one of my favorites from this series. Her book isn't incredibly interesting, because it gets a bit repetitive, but I think it tells the story well. Her father is away from their remote farm, leaving Ellen and her grandfather alone. Her grandfather ends up injuring himself and Ellen has to devise a way to get him back to the house, then fix the windmill he fell trying to fix, then find all the cows that got out when he left the dumb gate open, including her father's prized bull. It's a lot of her riding her horse back and forth, talking to the cat and, once he wakes up again, her grandfather. But it's a good, unusual adventure story. You don't see many female ranchers from the 1800s. Ellen's character is what makes this a really good book, not so much the story.

Alexia is one of my other big faves. Her father's dragging her all over the country with his schemes, but he seems to finally have found a decent job and they've lived in the same boarding house for a year. Alexia works with the designer/seamstress (called a modiste) who runs the boarding house, as she has arthritis and is struggling.

Alexia is afraid her father's lost his job and he's really pretty much an ass, so when she stands up for the modiste and doesn't let her father pull a get rich quick scam on her, it really makes you love her. She's offered an apprenticeship while her father is told to vacate quickly and he won't be arrested. Alexia chooses to make a life for herself and learn an honest trade, while you get the sense her father will never really learn.

She's another great personality like Ellen, but I like the story better in this one, so it's a better full package.

Evie's book is hard to read because the poor Irish racist neighbor brothers are just such assholes. Evie and her father are going to buy her mother today from the pair's former master. They'd been freed by the second master they had, who never bought the mother. I'm not going to go into a ton of detail, but I like this girl and so would Addy Walker. They'd totally be friends.

New Mythology Series!

The Thunder Girls are coming!

Remember in the Goddess Girls Super Special when girls from other schools visited to compete in the games? Well, Freya was one of them and here she is in the first book of this brand new series featuring the Norse deities!

I'm REALLY excited for this, despite being very lazy lately on my GG reviews. I still haven't written Nyx's. Maybe I'll crank that out later, but I'm kind of in historical fiction mode.

https://www.amazon.com/dp/1481496409/

Freya's book is set to come out on May 1st and I can't wait to see who the other Thunder Girls are!

AMERICAN DIARIES Part 1

Kathleen Duey's American Diaries series runs for 19 books. The series began in 1996 with four books, followed by another four in 1997, three each in 1998, 1999 and 2000, one in 2001, and the final book in 2002.

The books are much shorter than Dear America and they're quick reads. They're not true diary format either. Each begins and ends with a diary entry and there are maybe a couple more scattered in the middle.

There are two types of cover used for the series. The first type is as shown here with the cameo design containing an image of the girl that goes from her head down to about her waist or a bit lower. The second design retains the cameo, but the girls are now shown from about the shoulders up and that's it. I prefer the first design because they're more interesting-looking. The later books look far more plain.

They don't run in chronological order, as most of these series don't, but being numbered, I always read them in the order of their numbering, not chronologically.

The first book stars Sarah Anne Hartford, a girl growing up in Puritan Massachusetts in 1651. Sarah's is actually the first book chronologically as well and no others are set during the 1600s.

Each story does not span many days and deals with one major problem. Sarah and her friend were walking home from church and were caught playing in the snow, which was a pretty punishable offense in their society. Sarah, however, was wearing the coat of her friend's older brother and the people think it was him and not her. She debates with herself for awhile, torn between telling the truth and possibly losing the love of her strict father, who is courting a really nasty woman.

The second book, featuring Emma Eileen Grove, is set in 1865 after the end of the Civil War. Emma, her older brother and younger sister are travelling on a steamboat to St. Louis in search of their uncle. Their father is who knows where after the war and their mother died during it. They harbor a hatred for Yankees and a very poor understanding of what the war was actually about. (I sneer through Civil War stuff that has the characters say the war was about anything but slavery.) There's an accident with the ship and Emma and her younger sister are forced to rely on the help of a black worker and a Yankee soldier to survive. The older Southern woman who befriended them is also revealed to come from a plantation with a nasty reputation, so by the end of the book, Emma's a bit wiser about how people actually are. I still don't like her though!

Anisett is an idiot.

That's pretty much the whole book.

Set in 1851 California during the gold-mining craze, this book tells about Anisett and her mother, who make dinner pails for the miners. Anisett's younger brother is mentally disabled, though it isn't clear exactly how, unlike in certain Dear America books where the boys had Down Syndrome. Anisett finds a gold nugget and doesn't know how to go about staking a claim, so she asks the relatives of a nice new miner she just met. However, she's overheard by this guy who spends the entire book being an utter prick, and he hijacks everyone with plans to take over the claim. The day is saved, of course, by some quick thinking and some outside help, but Anisett is still an idiot. She spends most of the book getting yelled at for daydreaming. Repeatedly. Like screw up a couple times, but how are you supposed to like a character that doesn't seem to ever learn?

This sad copy of the book is the only clear picture I could find of Mary's book. She's in Philadelphia in 1777 and her family are mostly Loyalists, except her brother who was disowned for joining the Patriot army.

So what happens when her delirious, injured brother returns home the same day as the family throws a giant party for the British officers?

I enjoyed this one the most out of these four. Mary's a fun character and she's not annoying like Anisett or ignorant like Emma. Her art is so unattractive though! Poor girl!

MY STORY: 1800s Part 1

Trafalgar's another ship life book, but it's actually quite a good one. Lots of action and decent characters.

The actual battle takes up very little of the book near the end.

Waterloo is by the same author and again, it's quite engaging. There's a murder mystery wound through it and quite a bit of intrigue. The main character isn't a soldier himself, but a servant to one of the officers, so he sees a lot of the action without the kid in battle aspect.

Both of these are better than my tiny blurbs are making them sound. If a book is good, sometimes I don't have much to say about it!

A teeny picture is what I could find for this particular cover. These are the older covers that I favor, even though I actually don't possess them for this book or the next. I have the newer, mostly white covers.

Mill Girl sums it up. Poor girl has to go to work in the mill. Her family kinda sucks. Sucky things happen to other poor people around her. But things work out okay in the end.

I love this cover. I should track this version down, but it's hard picking the cover when you have to import.

This one's quite the fairy tale. I mean, it's a depressing fairy tale, because Irish potato famine, but still. The girl goes to work in her wealthy landlord's house and she and the son fall for each other. He runs away to join the resistance, which is where her older brother is. With her mother dying, she goes to find her brother and fails, then when she returns, the house is burnt and the rest of the family is all gone. Then she goes to find them and ends up working for the resistance alongside the landlord's son. They run off to the US together and happen to find the rest of her family, minus her mother who predictably died as she was very sick before, and they all leave together. 

It's good, but more fairy tale-ish than historical.

Considering I've left the next book sit maybe 1/4 finished for several days, I'm taking a break from My Story and switching over to American Diaries for awhile.

MY STORY: 1700s

The '45 Rising takes place during the Jacobite rising of 1745. While I like the language of the book, the story reads like a bad romance novel. The diary author is all about clothes and parties and men and blah blah blah. Politics of course are a major topic, too.

Then it takes a turn when instead of one of her other proposals, Euphemia and her cousin decide they're in love.

No mention of their being first cousins. Guess this was okay in 1745 Scotland. 

So he goes to fight on the opposite side as the rest of the family and ends up changing his mind after he gets wounded. She sleeps with him unmarried at age 15 and gets knocked up, then he gets shot and she has to marry someone else to cover up the baby scandal.

Not exactly appropriate for a children's historical fiction series.

No Way Back is actually part of a series within the My Story series called My True Story. I will not be buying the others in the series, because I've just got so many of these books as it is and I don't need to buy more! I still need two more to complete this set. Plus, several are war and suffrage. Blech.

Anyway, this one is about Mary Wade, who was a young convict transported to Australia. She came in with the Second Fleet and ended up having so many kids that her descendants today number in the tens of thousands.

This story of transportation focuses on her life before the theft, her trial and time in jail, and her life aboard the ship. The book basically ends once she hits Australia.

It was pretty good and I knew her name sounded familiar, but it wasn't til I reached the end that I was like "Oh, yeah, she was real."

Elizabeth's book is set entirely in Australia with her telling her story to her newest master and his son and daughter. She doesn't dwell on prison or ship life, so combined, these two books paint a decent picture of early transportation. Elizabeth's is basically about starvation. It's a good read though. The only flaw is that My Story doesn't do epilogues and there are some characters that you really want an ending for. She was one of those.

Fall of the Blade is about a young French girl from an aristocratic family and the turmoil of the French Revolution. The beginning is decent, then she and her parents begin travelling from prison to prison, culminating in her being alone in Paris. She manages to escape rather too easily, conveniently meets up with the guy she rescued at the beginning, and they run off to England together.

No epilogue. No telling what happened to her brother or parents or dog. That's it. Just in England and safe. Nothing else. Yuk. I remember not liking this one the first time I read it and the poor ending is exactly why.