Friday, November 13, 2020

AMERICAN GIRL: Tenney

 
So here's Tenney, who we talked about in Z's entry. 

I'm sorry, but you can't convince me this girl wasn't supposed to be GotY. FOUR BOOKS? FOUR? 

So Tenney is from Nashville. Her full name is Tennyson Evangeline Grant, which is pretty awesome. Her entire family is musical. Dad owns a music store. Mom runs a hot chicken food truck. Dad, Tenney and her brother are a band, though you don't hear much about them after the beginning of the first book. Tenney is a singer/songwriter who wants a career in music. 

Book 1 is her struggling with her parents not wanting her to start her music career yet, despite her getting a really good opportunity. 




Book 2 has Tenney struggling with handling critique and dealing with a drummer/musical collaborator who she doesn't get along with. She's also got friend drama, because she's supposed to be helping best friend Jaya (on the cover there) with a fundraising effort for Jaya's cousin in Bangladesh whose school got damaged by a tropical storm. Jaya is getting more help from Holliday, a girl Tenney doesn't trust because Holliday is frequently mean to her. 



Book 3 is pretty much Tenney vs. Logan. Now that they've signed a contract together to play as a duo, they've got to start really collaborating on original songs. Logan tends to not look very dedicated though and it's getting to Tenney. Turns out Logan has a lot of family drama going on. 



Book 4 is Tenney vs. Logan Round 2: This Time It's Christmas. 

All their problems get ironed out. The entire cast is honestly likeable, though the little sister gets annoying and Logan makes you grit your teeth constantly. They're decently written books, but they're just not very interesting. I'm not musical. I don't care about the songwriting process or performing or recording or any of that jazz. 

I don't feel that Tenney deserved four books. She's not that fascinating. I was more interested in Jaya and even Holliday. Tenney's books focus solidly on Tenney and put the friend characters almost entirely in the background. I would have liked a book that wasn't centered around music and instead actually added character development to the cast. 

With these books, a good writer combined with good characters and good development can make them work for me, even if the girl's chosen theme is something I'm not interested in. I know practically nothing about ballet, but I loved Isabelle. However, a lot of these more recent offerings have been failing at firmly keeping my interest.

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